- Reading time: 3 minutes
- Price: Free download
- Published: 5th October 2026
- Word count: 664 words
- File format: Text
Why do you want to study this course or subject?
In a Year 12 enrichment session our History teacher handed out translated extracts on Boudica's revolt, one from Tacitus and one from Cassius Dio. Tacitus wrote closer to the events and had a link to Britain through his father-in-law Agricola. Dio wrote over a century later, yet he gives the fuller picture, with the tawny hair and the spear. I had assumed the vivid account must be the better one, and working out why that was not obviously true kept me in the classroom through lunch. That problem is what draws me to ancient history. The evidence is thin, often written by outsiders or by people with reasons to shape the story, so historians have to combine literary texts with inscriptions, coins and excavation before they can say much at all. I want to learn how that is done well. I am also keen to study the Greek world as seriously as the Roman one, because I know it less well. Reading Mary Beard's SPQR showed me how much of early Rome depends on later writers looking back, and Tom Holland's Persian Fire made me want to read Herodotus and Thucydides with the tools to question them.
How have your qualifications and studies helped you to prepare?
My Extended Project asked how Augustus used coinage to present his authority. Using the British Museum's online collection, I catalogued around forty coins and noted where images such as the oak wreath for saving citizens, or references to Actium and Egypt, appeared. I then compared them with what Augustus claims in the Res Gestae. The most useful finding was a limitation: I could see what images were struck, but not who noticed them, so I had to be careful about the word propaganda. My school chose the project as one of three to present at the sixth-form evening, and explaining denarii to parents taught me to cut jargon without losing the argument. In History, my coursework on the Reformation made me practise weighing hostile sources against each other, which felt close to the Boudica problem. English Literature has helped in a different way. Comparing the opening of Emily Wilson's Odyssey, with its 'complicated man', against Robert Fagles' version showed me how much a translator decides for the reader, which matters when I depend on translations. Religious Studies has given me a grounding in early Christian texts and the Roman world they came from. The coin project also made me distinguish the intention behind an image from its reception. A repeated symbol demonstrates a choice by its issuer, but cannot by itself tell me what an ordinary user believed.
What else have you done to prepare outside of education, and why are these experiences useful?
For two years I have worked Saturdays and some school holidays in a garden-centre café. On busy days I run the till while answering allergen questions, which means checking the folder every time rather than guessing, and staying polite when the queue reaches the door. I was recently asked to show two new starters the opening routine, which I took as a sign the manager trusted me to be reliable. I also help run a board games club at our local library on Thursday evenings. Most players are adults, plus a few families, and my main job is teaching new games. I have learned to start with what a player is trying to achieve before explaining the rules, a habit that helped when I presented my project. None of this is ancient history, but it has made me organised, patient with questions and comfortable speaking to people I do not know, all of which I expect to use in seminars. In my own time I walk a stretch of Hadrian's Wall each summer with my uncle, and I have started reading the visitor panels more critically, asking which evidence they rest on and what has been left out.