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- Published: 16th September 2026
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Why do you want to study this course or subject?
My History coursework last year was on migration from Oklahoma and Arkansas to California in the 1930s, and it changed the way I read about the United States. I had expected a straightforward story of drought and hardship, but the sources pulled in different directions: state reports, folk songs, photographs commissioned by a government agency, and newspaper columns hostile to the newcomers. Working out why a photograph might be composed a certain way, and who benefited from that composition, was more interesting to me than settling on a single conclusion. American studies appeals to me because it refuses to separate those materials. I want to read a novel, a court judgment and a piece of political rhetoric as parts of the same argument about who belongs in a country and on what terms. I am particularly drawn to questions of region and internal difference: how the South, the Midwest and the West have been written about by outsiders, and how those regional images get used in national politics. My Geography A-level has made me alert to the physical and economic side of this, from irrigation and land ownership to the shape of suburbs. Studying the United States in Britain also means thinking about distance. I have never visited, and I am conscious that much of what I know arrives through exported film, music and news, which is itself worth examining. A degree that includes Indigenous histories and the histories of people whose accounts were not collected at the time is important to me, because my coursework showed how easily a record can be mistaken for the whole picture.
How have your qualifications and studies helped you to prepare?
History, English Literature and Geography have suited me well together. In History I have studied the American Civil War and Reconstruction, and the Britain paper on the interwar years, which gave me a useful contrast when I came to the New Deal. Reconstruction was the topic that made me most careful about sources: the same legislation read very differently in Congressional debate, in Freedmen's Bureau reports and in the Southern press, and I learned to note who was speaking and to whom. English Literature has trained me in close reading, and my essays on Tennessee Williams taught me to pay attention to stage directions and setting rather than only dialogue. Geography contributes the quantitative side. I am reasonably confident with census-style data, and in a fieldwork unit on urban change I collected and presented my own survey results, which made me more cautious about how survey questions shape answers. Outside the specification I have read Isabel Wilkerson's The Warmth of Other Suns, which follows individual journeys out of the South and made me think about how a historian can use interviews without losing the wider pattern, and I have been working through The Autobiography of Malcolm X, written with Alex Haley, partly because it raises the question of how a collaborative text is authored. I also follow long-form American journalism and podcasts on the Supreme Court, which has shown me how much of the country's argument about race, religion and federal power runs through legal language.
What else have you done to prepare outside of education, and why are these experiences useful?
For two years I have worked Saturdays and Sundays at a garden centre, moving between the till, the café counter and restocking. It is busy, repetitive work with a lot of customer contact, and it has made me practical: I can hold a queue together politely, explain a refund to someone who is annoyed, and keep accurate cash records at the end of a shift. I was asked to help train two new starters last summer, which meant breaking down tasks I do automatically into instructions someone else could follow. That turned out to be useful preparation for explaining ideas clearly in essays. At college I took over running the film society when the previous organiser left for university. I book the room, choose the programme with a small committee and introduce each screening with a few minutes of context. Our best-attended term was a strand on American cities, including films set in New Orleans and Detroit, which drew students from courses other than mine and produced arguments afterwards about whether the films were interested in the places or only their reputations. Attendance roughly doubled over that term, which I was pleased with. I also help at a community table-tennis club on Thursday evenings, mostly setting up tables and playing against older members who are far better than me. It is unrelated to my subject, but it has taught me patience and a certain willingness to lose cheerfully. Between paid work, the society and coursework deadlines I have had to plan my weeks properly, and I expect that habit to matter at university, where a course drawing on history, literature and politics will demand steady reading rather than last-minute effort.
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