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- Published: 3rd October 2026
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Personal statement example
The first house I surveyed on my own was a Victorian terrace in which no two rooms were square. The back wall leaned outward by almost forty millimetres over its height, and the stair had been rebuilt at some point with treads of three different depths. I spent a morning with a laser measure and a sketchbook, and the drawing I eventually produced was less a record of a building than a record of a hundred years of adjustments. That survey, and the many since, have shaped the questions I want to pursue at postgraduate level: how architects design for buildings and places that are already altered, imperfect and in use, rather than for clean sites.
I studied architecture as an undergraduate, and my final-year project developed the same instinct. I designed a community laundrette and repair workshop inserted into the gap left by a demolished house in a terraced street. The brief was my own, prompted by noticing how many neighbours in my rented flat relied on a single launderette half a mile away. I chose a lightweight timber frame so the building could sit against two party walls without heavy foundations, and I spent weeks resolving how the roof would drain without pushing water onto either neighbour. My tutors pushed me hardest on the street elevation, where I had initially been too timid; the final version used a deep, glazed threshold so that people waiting for machines were visible from the pavement. I was proud that the project held together structurally as well as socially, even if, looking back, I underdeveloped the ventilation strategy.
For the past two years I have worked as an architectural assistant at a practice of six people. Most of our work is domestic: rear extensions, loft conversions and occasionally a small shopfront. My role is producing measured surveys, planning drawings and construction details under the supervision of the directors, and attending site visits. The work is modest, but it has taught me things my degree could not. I have learned how much a planning officer's response depends on a clear existing-conditions drawing, how often a builder improves a detail I had overcomplicated, and how clients describe their homes in terms of routines rather than rooms. One client asked for her extension to be organised around where the morning sun reached the kitchen table, and that request reshaped the whole plan.
I have also kept reading beyond the office. Stewart Brand's How Buildings Learn gave me a vocabulary for what I see on surveys, particularly his idea that buildings are layered systems changing at different rates, from structure to services to furniture. It made me question whether the extensions I draw are designed to be altered again in twenty years. I would like to study this rigorously: adaptability, reuse of existing fabric, and the design of small interventions that improve a street beyond their own boundary.
Outside work I sing tenor in a community choir that rehearses in a church hall with notoriously poor acoustics. Helping rearrange the seating each week to hear one another better has become a small, practical lesson in how space affects people, though mostly I simply enjoy singing.
I am applying for advanced study because I want time to test ideas more ambitiously than daily practice allows, to work through design research with peers who challenge me, and to develop a clearer position on building within existing places. I bring reliable technical skills, a habit of careful observation and a grounded sense of how buildings are actually made and used. I hope to return to practice able to propose more confident, thoughtful work for ordinary streets.