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Intellectual property law postgraduate personal statement example

PSE example
  • Reading time: 3 minutes
  • Price: Free download
  • Published: 16th September 2026
  • Word count: 610 words
  • File format: Text

Personal statement example

My interest in intellectual property began with a practical question I could not answer at work. In the print shop where I have worked for three years, customers regularly bring in artwork to be copied onto banners, mugs and business cards. Some ask us to reproduce logos that are clearly not theirs; others are anxious that their own designs, sent to us as a phone photograph, are somehow at risk. My manager's rule of thumb was simple and mostly sensible, but it made me want to know what the law actually said, and how much of everyday commercial life depends on rules that few small traders have had explained to them.

My LLB gave me the foundations for that. Contract and tort taught me how to read a statute closely and how to trace a line of authority through cases, and my elective in commercial law introduced me to the basic structure of registered and unregistered rights. I chose a dissertation on the assessment of distinctiveness in trade marks made up of ordinary descriptive words, because the tension there struck me as genuinely difficult rather than merely technical: the register exists to protect signs that identify trade origin, yet traders naturally reach for language that describes what they sell. Working through the case law on acquired distinctiveness, and on the public interest in keeping descriptive terms available to competitors, taught me to be suspicious of my own instinct that a well-known name must be a strong mark.

Alongside my final year I ran a small project using the freely available trade mark register. Over several months I looked up around eighty independent businesses in my own town and the neighbouring high streets, recording which had registered marks, in which classes, and whether the registration matched what they actually traded under. The pattern that emerged interested me more than any single finding: several cafes and salons had registered a name but not the stylised logo they used on every sign, and a few had specifications covering goods they had never sold. I kept the results in a spreadsheet and wrote short notes on each case for myself. It was a modest exercise, and I am aware it proves nothing about the country as a whole, but it changed how I read the academic literature on small enterprise and the register. It also made me want to understand the procedural side properly, including oppositions and non-use revocation, rather than only the doctrinal arguments.

Volunteering at a community advice drop-in has been useful in a different way. I help with form-filling and signposting rather than giving advice, but listening to people explain their problems has improved my ability to identify the actual question behind a long account, and to say plainly when something is outside what I can help with. I took the same approach when a friend starting a small embroidery business asked about protecting her patterns: I pointed her towards the Intellectual Property Office guidance and to free advice clinics instead of guessing.

A master's is the natural next step because the areas I am most curious about, particularly designs, passing off and the enforcement options realistically open to very small businesses, sat at the edges of my degree. I would like to study copyright and patents in far more depth, including the comparative and international framework, and to write a dissertation on unregistered design protection for micro-enterprises. My longer-term aim is to qualify and work in intellectual property, ideally somewhere that serves smaller commercial clients. I am used to combining study with paid work, and I am ready for the reading that a specialist year demands.

Why this example works — strengths and ways to improve

This is a well-grounded taught master's statement. Your print-shop experience gives you a genuine motivating question, and your dissertation and register project show real method and humility. Your reflection is often precise rather than generic. You could strengthen the draft by showing more engagement with copyright, designs and patents, sharpening the volunteering link, and giving your proposed dissertation a clearer question.

Subject motivation

made me want to know what the law actually said

Your motivation grows naturally from a concrete workplace problem: copied logos and anxious customers. It explains why IP matters to you without inflated claims. The closing reference to small traders who lack explanations gives your interest a clear direction that later paragraphs pick up coherently.

Academic preparation

a dissertation on the assessment of distinctiveness in trade marks

Your LLB dissertation is credible, relevant preparation, and you identify a real doctrinal tension rather than just naming the topic. Your preparation does lean heavily on trade marks, though. A brief sign of reading or coursework in copyright or designs would support your stated master's interests more convincingly.

Evidence and reflection

taught me to be suspicious of my own instinct that a well-known name

This is genuine reflection: you show a change in your judgement, not a generic skill claim. The register project adds an honest acknowledgement of limits. It would be stronger still if you named one piece of literature your findings made you reread differently, rather than leaving that change abstract.

Relevant experience

several cafes and salons had registered a name but not the stylised logo

Your self-directed register study is accessible, methodical and well chosen. It records classes, specifications and mismatches, and it leads you to procedural questions like non-use revocation. The print-shop and embroidery examples are ordinary but apt. The volunteering paragraph supports your transferable skills but connects less directly to IP.

Credibility and voice

It was a modest exercise, and I am aware it proves nothing

Your voice is measured and believable. You avoid overstating what you did, and you are careful to say you signpost rather than advise. That restraint suits legal study. Occasionally the caution becomes slightly self-deprecating; you can still state plainly what the project did show.

Structure and format

A master's is the natural next step because the areas

Your structure moves logically from question, to degree, to project, to experience, to aims, and your prose is economical. The conclusion is realistic but brief. Your proposed dissertation on unregistered design protection would benefit from one sentence framing a specific problem, mirroring the clarity you achieve earlier.

What you’ve done well

  • Your opening uses everyday print-shop work to pose a real legal question, which gives the whole statement a coherent thread.
  • Your register project shows independent method, careful recording and honest acknowledgement of its limits, then links its findings to further study.

How this draft could improve

  • Add brief evidence of engagement with copyright, designs or passing off, since your preparation is currently almost entirely trade-mark focused.
  • Frame your proposed dissertation as a specific question, for example what problem micro-enterprises face with unregistered design protection.
  • Tighten the volunteering paragraph so the skill you describe connects more explicitly to advanced legal study or IP practice.