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- Published: 16th September 2026
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Why do you want to study this course or subject?
My three A levels keep colliding in useful ways, and that is what pushed me towards a broad degree rather than a single subject. Reading Dickens's Hard Times for English put industrial Coketown in front of me as a moral argument; in Geography I was analysing land use and deprivation indices for a real post-industrial town twenty minutes from my house; in History I was looking at nineteenth-century reform and who was allowed to speak in it. None of those approaches answered the others, but each one showed up the limits of the rest. A statistic about empty retail units tells you nothing about how it feels to walk past them, and a novel will not tell you how many there are. I want a course that treats that gap as the actual work rather than an inconvenience. Liberal studies attracts me because it asks students to move between methods deliberately, and to be honest about what each method can and cannot prove. I am also drawn to the idea of choosing modules across faculties and having to justify the combination, since that is closer to how questions arrive outside a syllabus. I know a broad degree demands more self-discipline, not less: without a single subject's conventions to lean on, I will have to build my own coherence and defend it. Having spent a year running my own project alongside taught courses, I think that suits how I work. In the longer term I am interested in local government policy or research, where the useful person is usually the one who can read a spreadsheet and a public consultation with equal care.
How have your qualifications and studies helped you to prepare?
History has taught me the most about handling disagreement. Our coursework on interpretations of the 1926 General Strike meant reading historians who used the same evidence to argue opposite things, and I learned to look at what each writer counted as evidence in the first place. Geography gave me the quantitative side: fieldwork on footfall and shop occupancy in two nearby high streets, where I had to justify my sampling and admit how much a rainy Tuesday distorted the data. English Literature has sharpened how I read anything at all, including council documents, for tone and omission as much as content.
My EPQ ties these together. I wrote on whether a closed department store in my town should be converted to housing or to mixed community use. I read planning documents and the local authority's regeneration strategy, compared two conversion schemes in other Welsh towns using publicly available reports, and interviewed a librarian and two shop managers about how the closure changed their weekday trade. Getting the scope right was the hard part; my first title was far too wide, and my supervisor pushed me to narrow it to one building.
Outside the syllabus I have been reading around cities and how people live in them. Jane Jacobs's The Death and Life of Great American Cities changed how I look at my own street, particularly her argument that busy, mixed-use pavements make places safer through ordinary watchfulness. I did not accept all of it — her hostility to planning felt overstated when I compared it with how Welsh regeneration funding actually works — but arguing with her was more useful than agreeing.
What else have you done to prepare outside of education, and why are these experiences useful?
I have worked at a garden centre most weekends for nearly two years, moving between the tills, the outdoor plant benches and, in December, the Christmas tree netting machine. The job has taught me things a classroom cannot: how to keep a queue calm when the card machine drops out, how to admit to a customer that I do not know whether their soil is too alkaline for a hydrangea and then go and find someone who does. I have become the person who trains new Saturday staff on the till system, which means explaining the same process patiently in different ways depending on who I am talking to. Working in all weathers has also given me a useful tolerance for tasks that are simply unglamorous and necessary.
On Thursday evenings I help run a board-games session at the community library. I set up tables, teach the rules to whoever turns up, and referee the inevitable disputes about scoring. Our regulars range from about nine to seventy-odd, and explaining a rulebook to that spread of people is genuinely good practice in judging what someone already knows.
I play tenor horn in the town brass band, which involves weekly rehearsals and a fair number of cold bandstand concerts. Learning to hold a middle part that nobody notices unless it goes wrong has been a lesson in contributing without being the centre of things. Band also eats into my weekends, so I plan coursework deadlines around it, usually by drafting early rather than relying on the last evening. I expect to keep juggling commitments at university, and I would like to join a band or a games society there and carry on.
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